This is taken from the Guardian:

Nancy Thomas
TV producer who worked with Richard Attenborough and Patrick Moore and was a significant influence on BBC arts programming
Thursday 15 January 2015 17.38 GMT

Nancy Thomas, who has died aged 96, was a prominent figure in the BBC’s Talks Department in the late 50s and early 60s, when BBC and ITV were the only UK channels, and programmes were transmitted in black and white to tiny screens. She played a significant part in the postwar surge in production which saw the emergence of such dominant figures in British television as her colleagues David Attenborough and Huw Wheldon.

She was one of the handful of clever women who flourished in the basically male preserve of the Lime Grove studios – in her case by building a reputation for efficiently and coolly controlling live studio productions week after week. Her first direction jobs were in 1956 for the hugely popular nature programme Zoo Quest, presented by Attenborough, and the game show Animal, Vegetable, Mineral?. She also inaugurated Patrick Moore’s The Sky at Night but made her most lasting mark on the arts magazine Monitor, where she was one of the producers from its early days until its concluding season in 1965, when she loyally backed up Jonathan Miller’s controversial editorship.

Daughter of Charles D’Arcy Bingham and Bertha (née Birkbeck), she was born in Ranikhet, India, where her father was stationed as an army colonel. Shipped back to the UK as a child, she grew up with an aunt and cousins and boarded at Berkhamsted school for girls, Hertfordshire, where she did well and read avidly but was thwarted through lack of funds in her desire for a university education; this doubtless contributed to her resolve decades later to help create the Open University.

She left school at 17 and after secretarial college immediately landed a plum job working for the youthful Kenneth Clark, director of the National Gallery (later Lord Clark, of Civilisation fame). She always spoke of this period as being an art education in itself. In 1939 he gave her an excellent reference for the Foreign Office in which he stressed that she was too intelligent to be assigned to a job “filling in forms”.

Just before France capitulated in 1940, Nancy was on a six-month posting at the Paris embassy. Churchill was attending last-ditch crisis talks; she recalled how he walked into the office and demanded: “Why are all you women still here? You are to go home immediately.” They did, and Nancy was one of those who caught the very last boat leaving from Le Havre.

Among the diplomats for whom she subsequently worked were Duncan Sandys and William Strang; she spent time in Egypt and Italy and flew over enemy territory to minute a meeting with Marshal Tito. However, she never spoke about this exciting period because she had signed the Official Secrets Act.

A wartime love affair ended unhappily with the death on active service of her fiance; her subsequent marriage to a fellow officer in Cairo – on the rebound, by her own admission – was not successful. She kept her married name, Nancy Thomas, however, when she joined the secretarial team in the office of William Haley, the BBC director general, soon after the war. She retained her youthful appearance and petite figure: a contemporary noted that Nancy, a vivacious and merry personality, often wore a full-pleated nylon skirt clasped at her tiny waist by a wide elastic belt; her hair was piled up to add a few inches to her noticeably short stature. Later, when directing films for television, she had to stand on a large camera box when she wanted to check the composition through the lens.

In the Monitor team, her knowledge of architecture, art and sculpture were of capital importance to Wheldon, the editor. She talked him into featuring the surrealists Max Ernst and Marcel Duchamp, even making a life-size studio copy of the latter’s iconic abstract Nude Descending a Staircase. She filmed the architects Alison and Peter Smithson at the time of the building of their groundbreaking Economist building and Denys Lasdun when his new HQ for the Royal College of Physicians was making waves. She introduced viewers to the controversies of town planning and erotic Indian art. Her films built around Wheldon’s interviews with Jean Renoir and Henry Moore are often anthologised.

In the studio, her skilful direction of such items as the opening scene of Leonard Bernstein’s Candide and the reportage of Colin Davis rehearsing Mozart were models of precision and clarity. She may have been disappointed to be passed over for the editorship of Monitor in its later seasons, but she was a loyal team player and always presented a cheerful ebullient face to her colleagues and the world. In all she did she was inspired by a Reithian zeal to educate as much as to entertain and inform.

She carried these ideals into her subsequent work as a producer for BBC Further Education and the new “university of the air”; so much so that when she stood down at the end of the 70s she was awarded an honorary degree by the grateful Open University. After her retirement she worked for an educational film company and chaired a charitable organisation for immigrants in Kensington, the Community Language Centre.

Even in extreme old age she was an indomitable figure: she lived alone in a top-floor flat in Belgravia, supported by devoted carers and entertained by her parrot, Figaro, a faithful companion for 42 years. She played tennis until she was 86 and was regularly visited by former colleagues and family members.

She is survived by her nephews Tony and David.

• Nancy Thomas, television producer, born 23 August 1918; died 7 January 2015