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Mike Donkin (Read 9334 times)
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Mike Donkin
Dec 6th, 2007, 10:32pm
 
This announcement was distributed to BBC News staff today, December 6th 2007:

From: Helen Boaden, Head of BBC News

Dear All,

I am very sad to announce the death today of a dear colleague of many of you,  Mike Donkin. He died in his sleep at a hospice after suffering for several years from cancer. He was fifty six.

Many of you will know Mike who started his broadcasting career in BBC local radio after a spell in newspapers. He made an impact with his original reporting from some of the most difficult places to access:  Zimbabwe, Afghanistan, Saddam Hussein's Iraq and Bosnia in the days of ethnic cleansing and prison camps. He also did some excellent work from Northern Ireland.

More recently, he embraced new technologies and multi - skilling with great enthusiasm and creativity working extensively with Peter Emmerson.Their last story together was in the Summer when they went to Denmark to make a film about the Muslim community there.

Mike celebrated thirty years of marriage to Catriona last year. She and his four grown up children were with him when he died. Pete and his closest friends from the BBC had also been with Mike in his final days and hours.

We send our deepest sympathy to all his family, friends and colleagues.
He was a lovely man.

Helen.
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Re: Mike Donkin
Reply #1 - Dec 9th, 2007, 7:23pm
 
Mike's funeral will be at 1pm on Friday December 14th at Mortlake Crematorium.
For those wishing to attend, best advice is to be there by 12.45.
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Re: Mike Donkin
Reply #2 - Dec 12th, 2007, 9:18pm
 
This tribute by Peter Emmerson appeared in Ariel, w/c December 10 2007:

OBITUARY: MIKE DONKIN

Scrolling through the list of regions and countries that Mike reported from reads like a global atlas - Europe, the Middle East, Asia, the Americas, Africa, the Far East. But on closer inspection the driving force behind Mike's unique brand of journalism becomes very clear - stories covered contain a mixture of humanity, of how conflict affects ordinary people and a sense of fun.

I've been privileged to have both worked alongside Mike as a colleague and to have known Mike and his family as close friends. Although our starting point was a love of great radio packages, we soon diversified and became the two-man band known by newsroom colleagues as 'Twickenham Studios', filming and editing together - always on the lookout for our next assignment, even in the weeks before Mike's death.

Within his radio packages, Mike was a true artist, delivering not just a fabulous script, but painting his sound-scape with the smallest of details. One such story we edited in Baghdad in 2003 was on the return of horseracing to the capital. Our audio package looked like an out-take from Phil Spector's Wall of Sound. As one of his colleagues emailed me this week: 'I've tried hard to emulate him but never came close.'

Mike embraced new technology and with the advent of dv cameras saw a niche within newsgathering. Together we started to shoot, edit and produce stories that may not have been told if the full traditional resources of newsgathering had been employed.

Ever the proud father, Mike brought on board his son, Hugo, who is presently studying film and video technology, to help us with the equipment on one particular story - 'Coffeehouses in Amsterdam'. Filming in cafes full of dope-smokers, avoiding the red-light district and shooting the piece-to-camera within a home-grown cannabis factory certainly provided some anecdotes to pass on to his student friends!

Mike began his journalistic career on the East Anglian Daily Times in Ipswich before joining the BBC. A chance meeting on the picket line in the early 70s, followed by a first date at a local football match led to Mike and his wife Catriona celebrating their 30th wedding anniversary last year with their three daughters Laura, Sophie and Chloe and Hugo, as well as a lifetime of following the highs and lows of Ipswich Town.

From local radio, through to the Today programme and subsequently as a foreign correspondent, Mike covered stories as diverse as bio-pirates in the Amazon, Albanian blood feuds and food shortages in Zimbabwe. His personal challenge was in looking at how the larger story affected the ordinary person.

I always told Mike during our editing sessions that he was the wordsmith and I twiddled the knobs within our partnership. I'm deeply sorry that this time I have to provide the words.
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Re: Mike Donkin
Reply #3 - Dec 13th, 2007, 9:05pm
 
This is taken from The Guardian:

Mike Donkin
A consummate BBC news professional, he shunned celebrity status for himself
by John Mair
Thursday December 13, 2007


The BBC television and radio reporter Mike Donkin, who has died from cancer aged 56, was unusually almost entirely devoid of ego. I was his friend and producer, and normally you have to fight to keep the reporter off the screen. With Mike, it was the opposite. He had to be cajoled and persuaded to do stand-ups and pieces to camera to show he had actually been on location.

What mattered to Mike in the many pieces we made together for London Plus and Nationwide, the BBC's early evening ratings juggernaut 30 years ago, was the story and the people in it, not his reporting of it. Subject and object never got confused in his work. Every interview was well planned and executed, every shot well chosen and every word of commentary written and delivered carefully. His craft was all, and it showed on screen.

He was born in Southend-on-Sea, Essex, educated at Northern grammar school, Portsmouth, and learned his trade on the East Anglian Daily Times, Ipswich, before joining the BBC in 1975 as a freelance. Soon, good work on the Today programme on Radio 4 as a reporter led to television, and in 1980 Nationwide. There, Mike discovered the joy of making short and meaningful five to six-minute films. In that short time in television terms, flesh and bones could be put on a new story or a different angle on an old one. It proved to be his metier.

My favourite Donkin film (of the ones we made together) was in 1984 about a Mr Popat, who ran a huge bed and breakfast "hotel" for social service "clients" from all over London in the former British Airways staff quarters near Heathrow. It was simply a farm, making money out of misery. Mike (mainly) and I used our silver tongues to get Popat's permission to film the tsunami of human distress within. Once. But that was not enough. Our film turned out to be overexposed through careless camerawork. We had to go back and do it a second time. The final product was well worth it. It takes some chutzpah (plus journalistic and diplomatic skills) to persuade an individual to put himself to the celluloid sword not once but twice. Mike pulled it off. He was that sort of person; absolutely impossible to dislike.

The stories Mike reported during the quarter of a century he worked for the BBC reflected the man. They were human, inquisitive and very approachable. Mike wanted to show how the large movements of history affected ordinary people.

In 1982, after Nationwide, Mike carved out various niches for himself at BBC News. He wanted to make films, not news reports, and make films he did - first specials on the relaunched Six O'clock News from 1993, and then embracing director-general John Birt's multiskilling and bi-media regimen to his own (and the audience's) ends.

Not for Mike idle time on the taxi rank of the TV news correspondents at Television Centre, where you wait to be called to firefight the latest story. He simply made his own luck. He would beaver away at creating mini foreign tours for himself - a very economical trip to Zimbabwe, Brazil, Malta, Holland, Russia, wherever the stories were, for just him and a single cameraman plus the then new lightweight digital video gear. Out of that trip came two or three pieces for domestic and world TV, two or three for domestic and world radio and some print for BBC News Online and others. This was trimedia epitomised.

Later, Mike's multi-skilling as world affairs correspondent became even more acute. The BBC crew comprised Mike alone, researching, shooting and reporting, with maybe just a local fixer to help. A Donkin tour always proved a great investment for news editors, journalistically too. Not many reporters would go into Mugabe's Zimbabwe posing as a tourist when your organisation is banned and risk imprisonment. In the last two decades he travelled the world producing these "Donkinsobes" for BBC audiences far and wide. Viewers and listeners would know the name, the voice and most importantly appreciate the carefully crafted journalism.

He is survived by his wife Catriona, whom he married 31 years ago, daughters Laura, Sophie and Chloe and son Hugo.

· Michael Charles Donkin, journalist, born August 29 1951; died December 6 2007
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